The Portfolio
Frames from the barricade
Every frame is shot in available stage light — no flash, no pit assistant.
Equipment / About
Eleven years in the first three songs
I started shooting basement hardcore shows on a borrowed body and never left the pit. Since then it has been club tours, arena support slots and European festival runs — working the barricade in the dark, then following the band into the corridor for the quiet frames nobody else gets.
Fast glass, no flash, delivered fast. Tour managers get a colour-graded selection within twenty-four hours of load-out, sized for press, socials and merch print.
Pit kit checklist
Bodies
Glass
Pit essentials